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VFX Producer/Supervisor

DigitalSmith Collective in partnership with Kronos Studios

            Trent Smith is a award winning visual effects producer and supervisor with 25+ years of experience  leading high end VFX production for film and episodic television, a dual Primetime  Emmy winner and multiple VES Award nominee with a proven record managing global VFX teams across film and episodic television. Skilled in vendor integration, budgeting, and creative collaboration for Netflix, HBO Max,     NBC, Amazon Studios, and more. Experienced in on-set supervision, vendor management, budgeting,      and post-production delivery taking ideas to final delivery, with a strong focus on balancing creative vision and production efficiency.

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Wildcat- Feature
(2025)

| Capstone Studios |
| Bad Films Productions |

VFX Vender:  owner operator               - vendor side -
| DigitalSmith Collective | Kronos Studios |
Collaborated as an external VFX vendor, providing full-sequence design, supervision, and shot delivery in partnership with production and post teams

Environments, muzzle flashes, compositing, and full-sequence post supervision for action-heavy military sequences

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Queen of the Ring- Feature
(2024)

| Intrinsic Value Films |
| Front Row Films |

VFX Vender:  owner operator               - vendor side -
| DigitalSmith Collective | Kronos Studios |
Collaborated as an external VFX vendor, providing full-sequence design, supervision, and shot delivery in partnership with production and post teams

Set Extension, Digital clean-up for period  & wrestling environments

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Quantum Leap- Seasons 1-2
(22-24)

| NBC Peacock |
| Universal NBC Productions |
Quinn's House |

VFX Producer / Supervisor              -  production side  -
Overseeing all stages of visual effects production, uniting page to screen.
Collaborating closely with show producers, studio executives, and production departments - managing  budgeting - scheduling - shooting - editorial - vendor supervision - Coordinates the artistry and logistics of up to 15 vendors across  31 episodes, ensuring creative alignment and seamless delivery.

Each episode reimagined a new era and setting from historical recreations to futuristic worlds, requiring full-scale VFX reinvention weekly.  Including CG environments, digital crowds, time-leap transitions, and holographic interfaces across 31 episodes.

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Blindspotting- Seasons 1-2
(21-23)

| STARZ |
| Starz Entertainment |
| Lionsgate |

VFX Producer/ Supervisor:            -  production side  -
Overseeing all stages of visual effects production, uniting page to screen. Collaborating closely with show producers, studio executives, and production departments - managing  budgeting - scheduling - shooting - editorial - Coordinating the artistry and logistics of  in-house vfx team.
 
Stylized transitions, practical/CG integrations, and surreal narrative sequences supporting the show’s poetic realism.

  • Freelance Credit List:
    Production Side VFX Producer / Supervisor & Shot Vendor Provider                                             (2015-Present)

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Purple Heats – Feature
(2022)

| Netflix |

| Alloy Entertainment |

VFX Vender:  owner operator               - vendor side -

| DigitalSmith Collective | Kronos Studios |

Seamless set extensions, cosmetic fixes, and environmental composites enhancing the film’s emotional tone.

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DMZ – Limited Mini-Series
(2022)

| HBO Max |

| Array Filmworks |

Post VFX Producer/ Supervisor:            -  production side  -

Overseeing post visual effects production.  Collaborating closely with show producers, studio executives, and post departments - managing  budgeting - scheduling - editorial - Coordinating the artistry and logistics of  in-house vfx team and 5 outside vendors.

 

Large scale digital city builds, atmospheric compositing, cosmetic fixes

 and CG crowd/creature simulations for post-apocalyptic New York.

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The Hot Zone  - Limited Series 
(2021)

| NAT Geo |

| 20th Television |

| Fox 21 |

VFX Vender:  owner operator               - vendor side -

| Visualsmith | Kronos Studios |

Biohazard lab extensions, blood FX, and CG virus particle visualization.

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The Nevers-   Season 1 (2021)

| HBO Max |

Mutant Enemy Productions |

VFX Vender:  owner operator               - vendor side -

| Visualsmith | Kronos Studios |

Period London environment builds, supernatural energy effects, and complex compositing work.

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Space Force- Season 1
(2020)

| Netflix |

| Deedle-Dee Productions |

Post VFX Producer/ Supervisor:            -  production side  -

Overseeing all stages of visual effects production, uniting page to screen. Collaborating closely with show producers, studio executives, and production departments - managing  budgeting - scheduling - shooting - editorial - vendor supervision - Coordinates the artistry and logistics of up to 10 vendors across  8 episodes, ensuring creative alignment and seamless delivery.

 

Digital chimpanzee, spacecraft, rockets, and satellite sequences, alongside environment and facility extensions, Coordinating the artistry and logistics of  in-house vfx team and 10 outside vendors.

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One Night in Miami- Feature (2020)

| Amazon Studios |

| Snoot Entertainment |

VFX Vender:  owner operator               - vendor side -

| Visualsmith | Kronos Studios | Pilot Light |

Subtle period clean-ups, skyline replacements, and atmospheric compositing for 1960s Miami.

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Knightfall – Limited Mini-Series
(2019)

|History Channel |

| 20th Television |

| History Channel Productions |

VFX Vender:  owner operator               - vendor side -

| Visualsmith | Kronos Studios | Pilot Light |

Medieval CG environments, crowd extensions, and weapon/FX enhancement.

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Love You to Death - TV Movie (2019)

| Lifetime |

| Sony TV |

|Topanga Productions |

VFX Vender:  owner operator               - vendor side -

| Visualsmith | Kronos Studios | Pilot Light |

Cosmetic and aging effects, digital set work, and atmospheric compositing for early 2000 Missouri.

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Mr. Mercedes-   Season 2
(18-19)

| AT&T Audience |

| Sonar Entertainment |

|Audience Network |

Post VFX Producer/ Supervisor:            -  production side  -

Overseeing all stages of visual effects production, uniting page to screen. Collaborating closely with show producers, studio executives, and production departments - managing  budgeting - scheduling - shooting - editorial - Coordinating the artistry and logistics of  in-house vfx team.

Enhancements set extensions atmospheric effects, and seamless gore integration supporting the show’s dark cerebral feel, and monitor comps

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Corprate Animals – Feature (2018)

Screen Media Films |

| Snoot Entertainment |

On-Set Supervisor               - vendor side -

| Visualsmith | Pilot Light |

Oversees visual effects during principal photography, collaborating with directors, DPs, and production departments to capture plates, data, and references essential for seamless integration in post. 

Confined environment set manipulations for interior cave, gore clean-up, and subtle comedic enhancements.

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The New Edition Story.
– Mini-Series

(2017)

| BET |

| Jesse Collins Entertainment |

VFX Vender:  owner operator               - vendor side -

| Visualsmith | Kronos Studios | Pilot Light |

Period clean-up, concert crowd extensions, and performance compositing, and monitor comps

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Into the Badlands- Season 1 (2016)

| AMC |

| AMC Studios |

| Millar Gough Ink |

VFX Producer / Supervisor              -  production side  -

Overseeing all stages of visual effects production, uniting page to screen.Collaborating closely with show producers, studio executives, and production departments - managing  budgeting - scheduling - shooting - editorial - vendor supervision - Coordinates the artistry and logistics of up to 3 vendors ensuring creative alignment and seamless delivery.

Martial-arts-driven VFX including wire removals, digital weapons, and lush CG post apocalyptic environment extensions.

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The Shannara Chronicles-
Seasons 1-2

(2015-17)

| MTV / Spike TV / Paramount Net. | | Sonar Entertainment |

| MTV Prodoductions |

| Millar Gough Ink |

VFX Producer / Supervisor              -  production side  -

Overseeing all stages of visual effects production, uniting page to screen.Collaborating closely with show producers, studio executives, and production departments - managing  budgeting - scheduling - shooting - editorial - vendor supervision - Coordinates the artistry and logistics of up to 3 vendors ensuring creative alignment and seamless delivery.

Large-scale fantasy world building, creature and magic FX, and environment compositing across two seasons.

  • VFX VENDOR:      Shutterpunch VFX  - (Owner / Partner)          (2012-2015)

 Television: 

| ABC |

The Goldbergs -- Perception -- Alex INC --

-- Made in Jersey --

| NBC |

| The CW |

-- The Night Shift -- Southland --

-- The 100 --

--The Selection --

| FOX |

--  Second Chance –Rake --

-- Breaking In --

| Lifetime |

-- The Client List --

--  Cleveland Abduction --

| TNT |

| TBS |

| PBS |

-- Murder in the Fist --

-- Men at Work --

-- F.S. Key & The Song That Built America --

Feature Films:

-- Hell and Back           --Blair Witch/ Reboot -            --Drones--

  • VFX VENDOR:       ENTITY FX  /  PIXEL ENVY  -

  • ( Supervisor / Producer / Coordinator )    (1999-2015)

Television:

| WB |
| The CW |

-- Vampire Diaries -- Smallville -- Hellcats -- Supernatural --
--The Secret Circle --

-- The Good Guys -- Terminator:  The Sarah Connor Chronicles --
-- The X-Files -- The Lone Gunmen --

| FOX |

| HBO |

-- Band of Brothers -- Entourage --
-- Six Feet Under --

| ABC |

| AMC |

| FSN / ESPN2 |

-- Eastwick -- Charlie’s Angels (Reboot) --

-- Breaking Bad --

-- Sport Science -- Fight Science --

Feature Films:

-- The Final Destination --

-- This is It ! / Michael Jackson --

-- The Spirit --

-- Sweet Home Alabama --

 -- Sorority Boys - -

-- The X Files: I Want to Believe --

-- Tuck Everlasting --

-- The Glass House --

-- Galaxy Quest --

-- Superhero Movie --

-- Rock Star --

  • ASSOCIATIONS:

Academy of Television Arts & Sciences ( EMMYS)
Visual Effects Society  (VES)        

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